Angebote zu "Comp" (176.560 Treffer)

Empirical Labs El-7 Ubk Fatso
3.222,00 €
Reduziert
3.059,00 € *
ggf. zzgl. Versand

The UBK Fatso has the gorgeous tape-like Saturation and Harmonic Distortion of the original Fatso, as well as the same one-of-a-kind Warmth limiter for rounding and fattening spiky digital transients, topped off with a switchable Transformer for additional harmonics and overall thickening. Add in a separate Compressor section with 7 custom curves meticulously tuned by Gregory Scott, aka ´ubk´, and the result is a dynamics shaping tool like no other.Designed to give the operator the most unflinchingly musical compression regardless of the sound being processed or the amount of compression being applied, it will never pump or fold. The UBK Fatso makes easy work of the most difficult and mysterious process in sound engineering: dynamics control and transient shaping. Vintage limiting, smooth opto leveling, transparent gain reduction, aggressive modern squeeze... whatever your vision, the UBK Fatso not only makes it possible, it makes it easy. 7 unique compressors - 4 ´´name” presets plus 3 ´´hidden gems”, produce a remarkable range of flavor, attitude, and grab, all rolled into a one-knob interface that makes it impossible to screw up. Your job: choose the style of squeeze you desire, dial up ‘more’ or ‘less’, and get on with your life.SPECIFICATIONS - Two Channel Character Compressor- Heavily Colored Analog Flavor- 7 Unique, Versatile Compression Curves- Harmonic Distortion Generators- Saturation & Clipping Circuits- Separate High Frequency Limiters- Switchable Transformer Coloration- Swiss army comp, never pumps or gets unmusical

Anbieter: Woodbrass.com
Stand: 29.04.2019
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Drawmer 1968
1.798,80 €
Sale
1.333,00 € *
ggf. zzgl. Versand

The 1968 is a 1U Tube/FET ´stereo bus´ compressor which by design delivers a transparent ´open´ sound even during periods of heavy compression. Featured on both channels is a 2 position ´BIG´ control which applies less processing to the fundamental low frequency but still disciplines the upward associated harmonics which if untamed can result in a ´boomy´ or ´boxy´ sound. The result - a solid bottom end with enhanced sub-bass and a smoother, wider frequency response overall.The 1968 is a ´stripped down´ version of the 1969 introduced to the market by customer demand for those not requiring the instrument and mic preamps incorporated in the 2U 1969.Features: -> 2 Channel Tube/FET Compressor -> 2 soft-knee compressors with variable threshold, attack, release and output gain -> 2 position ´BIG´ control on each channel -> Dual mono or true stereo link operation -> Side chain access and side chain listen facility -> VU metering of gain reduction and output levels -> Switchable +10dB mode on VU re-scales the meter for users working at ´hot´ output levels. -> VU red warning glow to signify ´approaching clipping´ -> Balanced +4dB XLR in/outs

Anbieter: Woodbrass.com
Stand: 29.04.2019
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Empirical Labs El-7x Fatso
2.999,00 €
Sale
2.599,00 € *
ggf. zzgl. Versand

New Features at a glance• A new ratio ´´Eleven”, which emulates a favorite classic compressor setting.• New Two Color Front Panel• Improved Logic• Separate TRACKING LED, more intuitive display.• Backwards stepping when a front panel button is held.• New extended stereo link functions. More choices of how to lock compressors.• Cooler running Logic Circuitry, resulting in an overall cooler operating temperature.• Improved overall noise floor, due to lower logic power consumption.THE FAT GOES TO ELEVENELEVEN is a new compressor for the Fatso, replacing the old GP Ratio, and emulates the famous UREI 1176LN in 20:1, with the slowest attack, and fastest release. This 1176 setting has been used on countless hit records through the decades. With the slower ´´1176” attack, the transients keep the dynamics present, while the high ratio, can radically limit the dynamic range of any source, making it present and sitting in a nice little place in your mix. One can slam it, or just touch it with a few dB of compression. You will find it great on Vocals, Bass, acoustic guitars, drum room mikes, pianos etc. The ELEVEN ratio took several months of experimentation, and required a rather radical attack mod to get close. It was one of those projects that Dave Derr, the designer, thought would only take a few days, but upon initial research and listening tests, subtleties emerged which required starting over several times. ´´I got in one of these design loops, where you would get one thing right, then change another parameter or component, and find that it changed the first thing you thought you had right. It was actually a long frustrating series of changes, that slowly spiraled towards the desired result. Any kind of math calculations or scaling seemed useless. In addition, while testing 1176’s, I discovered issues that I’m quite sure were not intended by the original designers, and probably things of which they were not even aware. But using modern digital oscilloscopes and analyzers, along with digital workstations, and our good old ears, we could see artifacts that the original designers couldn’t.” ´´Heck, they may have even tried to fix the little imperfections that gave the 1176 its unique character, had they the tools to see them. Thank gosh they didn’t, right? Anyway, the design loop was frustrating, but like anything that takes you to unexpected places, hopefully you come out a little bit wiser, and with a great product. I hope our customers find the new ELEVEN ratio fun to use, and discover it can add some more magic to your music.” NOTE: ALL existing older ´´Fatso Jr’s” can be modified to change the GP ratio to the new ELEVEN ratio. In addition, all Fatsos shipped from Empirical Labs since June 2013 have had the ELEVEN ratio already installed in the circuit, under the GP ratio, so if you bought a Fatso recently, you probably already have the equivalent EL7-X circuitry.NEW LOGIC AND INTERFACE OPERATIONThe original Fatso Jr could operate quite warm. Since heat is the enemy of reliability, we decided to do what we could to cool the unit down in this re-design. By replacing discrete logic with a microprocessor, and eliminating warm running and often unreliable display circuitry, the current draw was dropped over 20%, allowing the power supply and analog circuitry to benefit from a cooler running product. The new FATSO also has greatly improved interface operation. Holding any button in for a second will make the control step backwards, so the user doesn’t have to cycle around to go back one step in setting one parameter. In addition, the Stereo Link is improved and offers a second link method by holding in both COMP buttons. It locks the compressors and Bypass logic together, and allows either channels’ buttons to control the settings. Much more foolproof. There is now a separate LED for the TRACK (Tracking) compressor, so that two LEDs do not have to be used, and interpreted by the user. SPANK is now a Blue LED delineated from the other compressors off to the side, to indicate that it is different and can be used in conjunction with the other ratios. Customers will find compressor selection more obvious and FUN.FATSO’S FOUR TYPES OF PROCESSING• Harmonic Generation and Soft Clipper (Distortion Generation) - this class A circuit gently rounds the peaks like saturated tubes or tape. • High Frequency Saturation (Warmth) - a one-of-a-kind dynamic low pass filter...

Anbieter: Woodbrass.com
Stand: 29.04.2019
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Empirical Labs Distressor El8-x Stereo
4.098,00 €
Reduziert
3.795,00 € *
ggf. zzgl. Versand

The Distressor is an automatic gain (or volume) control device (AGC in engineering terms) designed for pro audio (music) applications. Basically, it electronically controls the volume of just about any source in a very pleasing, and musical manner - adding fullness, intelligibility, and especially in the Distressor´s case - excitement. This type of device is often called a limiter or compressor by audio industry people. Its most probable uses will be in recording studios, live sound situations, movie sound production, and radio broadcast production. Unlike most analog compressor/limiters the Distressor is a digitally controlled audio device and actually incorporates several products into one by utilizing digital controls to switch totally different circuits in and out. Years of beta testing and redesign went into the Distressor as will be the case with all Empirical Labs products.Besides offering a wide range of control and unique features, the Distressor offers a warm, vintage sound by using a custom designed gain control circuit. This warmth or vintage sound has become an important issue in the last 15 years, as the super clear and linear digital technology does very little (or nothing) to soften harsh sounds nor emphasize the bass frequencies in music sources. Older analog tape, vinyl records and tube equipment on the other hand, could not be prevented from coloring the sound, often to the frustration of recording engineers. However, many people have now realized that this coloring can be extremely pleasant and musical.The current digital technology is often referred to as cold and brittle among other terms, although we prefer the term unforgiving to describe the negative side of the linearity. The Distressor offers several modes that color the signal, even without compression (or gain control). These extended modes were designed to allow emulation of some very old and some very expensive vintage gain control units (compressors & limiters) and deliver a classic knee sound all its own.Specifications * Freq. response is 2 Hz to 160 kHz in clean audio mode (+0, -3 dB). Response is shaped in distortion modes (Dist 2, Dist 3). * Dynamic range 110 dB from max. output to min. output in 1:1 mode. Greater than 100 dB signal to noise in distort 3 mode. * Distortion ranges between .02% and 20% depending on distortion mode and release times set on front panel. * DC coupled output - High quality input caps. * Input impedance is 20K Ohms, Output impedance is * Time constants - Attack range 50uS - 50mS. Release range .05 sec to 3.5 seconds, normal modes and up to 20 seconds in 10:1 opto mode. Time constants are dependant on ratio. * Metal Chassis - single height 1.75 high, 10 deep, 19 wide. * Shipping info - 12.1 lbs mono, 24.2 lbs Stereo pair. Mono box dimensions 22.5 x 18.5 x 3 1/4. Stereo Pair box dimensions 22.5 x 18.5 x 6 1/4

Anbieter: Woodbrass.com
Stand: 29.04.2019
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Manley Variable Mu
4.990,00 €
Sale
4.498,00 € *
ggf. zzgl. Versand

The MANLEY VARIABLE MU® LIMITER COMPRESSOR has been our best selling product for many years. It is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. Mu is tube-speak for gain, and Variable Mu® is our registered trademark for this limiter compressor. It works by using the remote cut-off or re-biasing of a vacuum tube to achieve compression. The precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that we know of. Even the side-chain has glowing rectifier bottles. How’s it work? The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.The COMPRESS mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression. See the gain reduction curves here!You might notice that the Variable Mu® Limiter Compressor has a ganged input control, but do not jump to conclusions that it is mono-unfriendly. Track away! There are separate threshold and output controls to make compensations with plus you can always adjust your individual source levels elsewhere, right? The advantage of the stereo input control becomes dramatically clear when you switch to LINK mode, and that’s what our Variable Mu® Limiter Compressor does better than anything else: final mix, 2-track, or mastering limiting and compression.- MANLEY input & output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHz- BALANCED INPUTS & OUTPUTS (600 Ohms)- Fully differential ALL-TUBE circuitry using one each 5670, 5751 (or 12AX7), 7044 (or 5687), & 12AL5 per channel- Independently regulated B+ and Heater supplies- Hard-wire BYPASS switch- Stepped switch INPUT attenuator as of 10/2011. (older units use Silent dual-ganged potentiometer)- RECOVERY 5 steps: 0.2s, 0.4s, 0.6s, 4sec., 8sec.- Variable ATTACK: 25msec-70msec- Continuously variable THRESHOLD- LIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1)- HP SC: High Pass Side Chain Filter -3dB @ 100HzLarge ILLUMINATED Sifam METERS (older units before serial number MSLC61642 shipped before 12/2003 use: 26V 1.2W FESTOON LAMPS; Manley´s Part Number: VAR016B) Order spare bulbs using our parts order form. (newest units after serial number MSLC61642 shipped after 12/2003 use white LED lighting)- STEREO LINK SWITCH- Several units can be linked for Surround (custom order )- Maximum gain: 35dB- Max. output: +30dBu (26Vrms) 26dB Headroom- Power Consumption (120/240VAC): 80 watts- Unit is factory set for 100V, 120V or 220-240VAC operation for original destination country´s mains voltage.- Operating Mains Voltage changeable with power transformer changeover switch and fuse value change.- Mains Fuse Value for 100~120VAC operation: replace with 1.25A as of 10/2011- Mains Fuse Value for 220~240VAC operation: replace with 0.6A (600mA) as of 10/2011- Mains Fuse Type: MDA or MDL SLO-BLO Time delay 1 1/4 x 1/4- Mains Voltage Frequency: 50~60Hz- Dimensions: 19” x 3 1/2” x 10” (chassis occupies 2u) Power transformer protrudes 3.5 out the back of the chassis.- Shipping Weight: 23 lbs.- Unit Weight: 14 lbs.

Anbieter: Woodbrass.com
Stand: 29.04.2019
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Manley Variable Mu T-bar Option
5.880,00 €
Rabatt
5.290,00 € *
ggf. zzgl. Versand

The MANLEY VARIABLE MU® LIMITER COMPRESSOR has been our best selling product for many years. It is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. Mu is tube-speak for gain, and Variable Mu® is our registered trademark for this limiter compressor. It works by using the remote cut-off or re-biasing of a vacuum tube to achieve compression. The precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that we know of. Even the side-chain has glowing rectifier bottles. How’s it work? The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.The COMPRESS mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression. See the gain reduction curves here!You might notice that the Variable Mu® Limiter Compressor has a ganged input control, but do not jump to conclusions that it is mono-unfriendly. Track away! There are separate threshold and output controls to make compensations with plus you can always adjust your individual source levels elsewhere, right? The advantage of the stereo input control becomes dramatically clear when you switch to LINK mode, and that’s what our Variable Mu® Limiter Compressor does better than anything else: final mix, 2-track, or mastering limiting and compression.- MANLEY input & output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHz- BALANCED INPUTS & OUTPUTS (600 Ohms)- Fully differential ALL-TUBE circuitry using one each 5670, 5751 (or 12AX7), 7044 (or 5687), & 12AL5 per channel- Independently regulated B+ and Heater supplies- Hard-wire BYPASS switch- Stepped switch INPUT attenuator as of 10/2011. (older units use Silent dual-ganged potentiometer)- RECOVERY 5 steps: 0.2s, 0.4s, 0.6s, 4sec., 8sec.- Variable ATTACK: 25msec-70msec- Continuously variable THRESHOLD- LIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1)- HP SC: High Pass Side Chain Filter -3dB @ 100HzLarge ILLUMINATED Sifam METERS (older units before serial number MSLC61642 shipped before 12/2003 use: 26V 1.2W FESTOON LAMPS; Manley´s Part Number: VAR016B) Order spare bulbs using our parts order form. (newest units after serial number MSLC61642 shipped after 12/2003 use white LED lighting)- STEREO LINK SWITCH- Several units can be linked for Surround (custom order )- Maximum gain: 35dB- Max. output: +30dBu (26Vrms) 26dB Headroom- Power Consumption (120/240VAC): 80 watts- Unit is factory set for 100V, 120V or 220-240VAC operation for original destination country´s mains voltage.- Operating Mains Voltage changeable with power transformer changeover switch and fuse value change.- Mains Fuse Value for 100~120VAC operation: replace with 1.25A as of 10/2011- Mains Fuse Value for 220~240VAC operation: replace with 0.6A (600mA) as of 10/2011- Mains Fuse Type: MDA or MDL SLO-BLO Time delay 1 1/4 x 1/4- Mains Voltage Frequency: 50~60Hz- Dimensions: 19” x 3 1/2” x 10” (chassis occupies 2u) Power transformer protrudes 3.5 out the back of the chassis.- Shipping Weight: 23 lbs.- Unit Weight: 14 lbs.

Anbieter: Woodbrass.com
Stand: 29.04.2019
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Accolade AC-04 G
91,32 € *
ggf. zzgl. Versand

Der Bridgestone AC04 ist ein Reifen, der vor allem auf das Hinterrad des Motorrads passt. Dieser kundenspezifische/amerikanische Reifen erfüllt die Bedürfnisse anspruchsvoller Biker. Der Reifen mit limitierter Auflage vermittelt das Gefühl einer Motorradfahrt mit einem klassischen Bike und bietet gleichzeitig eine hervorragende Fahrstabilität und Ausgewogenheit. Die spezielle Profilmischung brachte die hoch entwickelte Reifentechnologie hervor, die einen wesentlichen Beitrag zur Entwicklung der Battlax-Serie leistete. Dieser leistungsstarke Reifen hat ein gezahntes Stollenprofil, das sich bis an die Seiten des Reifens erstreckt. Das Design dieses Accolade verleiht dem Motorrad eine klassische Optik. Dieser Reifen zeichnet sich durch ein großes Blockmuster aus, das ein laufruhiges Handling ihres Motorrads gewährleistet und ihnen so ein faszinierendes Fahrerlebnis beschert. Die umlaufenden Blöcke des Reifens tragen zu seinem guten Nassfahrverhalten bei, während die Querblöcke auf der Reifenschulter die Nasstraktion unterstützen. Die optimierte Karkasse verbessert die Motorradstabilität und die Laufflächenform gewährleistet eine gleichmäßige Aufstandsfläche.

Anbieter: Reifen-Pneus-online
Stand: 22.07.2019
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D404 Cruiser Front
78,87 € *
ggf. zzgl. Versand

Der Dunlop D404 Cruiser ist ein Vorderradreifen, der für sämtliche Cruiser und Custombikes geeignet ist. Dieser Straßenreifen zeichnet sich durch ein technisches Profil aus, das auf alle renommierten Motorräder von Harley Davidson passt. Dieser vielseitige Reifen kann auch auf alte Bikes montiert werden und ist mit weißer oder schwarzer Seitenwand erhältlich. Die Diagonalkonstruktion gewährleistet Fahrkomfort, reduziert Fahrgeräusche und garantiert Fahrstabilität und ein gutes Fahrverhalten bei schweren Lasten. Das Reifenprofil dieses Vorderradreifens leitet das Wasser gut ab und bietet so guten Nassgrip. Der Reifen von Dunlop zeichnet sich durch eine seitlich versetzte Mittelrille aus und ist ein äußerst ausgewogener Pneu.

Anbieter: Reifen-Pneus-online
Stand: 22.07.2019
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D404 Cruiser Front WW
186,37 € *
ggf. zzgl. Versand

Der Dunlop D404 Cruiser ist ein Vorderradreifen, der für sämtliche Cruiser und Custombikes geeignet ist. Dieser Straßenreifen zeichnet sich durch ein technisches Profil aus, das auf alle renommierten Motorräder von Harley Davidson passt. Dieser vielseitige Reifen kann auch auf alte Bikes montiert werden und ist mit weißer oder schwarzer Seitenwand erhältlich. Die Diagonalkonstruktion gewährleistet Fahrkomfort, reduziert Fahrgeräusche und garantiert Fahrstabilität und ein gutes Fahrverhalten bei schweren Lasten. Das Reifenprofil dieses Vorderradreifens leitet das Wasser gut ab und bietet so guten Nassgrip. Der Reifen von Dunlop zeichnet sich durch eine seitlich versetzte Mittelrille aus und ist ein äußerst ausgewogener Pneu.

Anbieter: Reifen-Pneus-online
Stand: 22.07.2019
Zum Angebot